Dock D.A.T. pundit a day’s pay for leaving BriWi on his own

When öüï return, Agent Angle is going to give Rosie O’Donnell the night off, in the mean time, Mr. Meyer, you are not fooling anybody, we have it on good authority that Annie Karni is your fraternal twin, and you are the Prime suspect in the case of the fragmented dentils of D.A.T. D.A.R.E. dame, but first, we are going to take a nap. “Take it a güey” on deadline, Nicolle!!!

Lorem Ipsum

LOREM IPSUM .::. FE9BADA0-F0AB-4C7A-9F34-103E23171EE6 🕰 “Many years ago, around 1987, I put forward some equations that I thought might become my thesis in the Harvard department of mathematics and they were disallowed for a variety of reasons…


TimeStamp:

April's fool

We say goodbye to April 2020 with a scene from Oxford (2013) and a theory of parallels’ universe, and wait for it, wait… providing resources to starved academia departments. .::. 09DCEDE5-BACF-47A8-AB41-756C54E9AB19 🏫 April’s fool and the fire that starts itself.

Two Minutes Frenchy.

… para tod@s aquell@s
que lo dieron todo,
y ni siquiera las gracias les dieron.

fernando delgadillo

“no me pidas ser tu amigo”.

—Intro to a 36-hour day 101:

This is not a watch

This is not a watch .::. 0558BE12-2CD4-4695-AF34-835D2A3C0F36 🕛 Not to be outdone by Bill Gates composite marble chimney, Donald John Trump went Bigger and Blacker to give his version of the pandemic situation in the United States of Corporate America.

… oh, hello, Mr. Meyers, in all seriousness, before we [the staff of this most non consequential blog] continue with the sketch parody of your show, in which you are the star (of course) we would like to reveal the portal that lead us to your show; and it has to do with a recent interview that you gave to a pundit on the MSNBC network, and where your kids came running out of a pantry in your simulated studio attic, that particular sequence of the sketch served as a gravity assist or “slingshot effect” to propel our most non–consequential narrative (of the TIME MACHINE) onto “the kids” table, which is where the Institute of Latin American Studies in Paris (IHEAL), sent us when i, Armando Segovia, began to cross-examine the actors in a play called: The Year of Mexico in France (2011).

 

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