³~. Just like Alejandro González Iñárritu but for different motivations and literally, without the commercial ‘breaks’ and or “exercises” (Wood, 79) pero sí, Eye wanted to see what México looked like without Mí “from the outside” and for my Mexicanidad, Öüï was of course blacklisted and ostracized (a reciprocal ‘perla’ if you know who MABM in Spain is) by a bunch (lot, if your name is in BAFTA listings) who wear flowery scarfs during heatwaves and throw around highbrow words such as —altérité, justice and dignité.
Up next:
It’s not about fear or prejudice, it’s more about a “personal [fucking] note, the level of insecurity is very high in Mexico and to live in Mexico with two children was becoming very hard…”, to live inside of Alejandro González Iñárritu’s ranch of idiosyncrasies and 21 Grams.
Page144 of THE FABER BOOK of MEXICAN CINEMA
Y Tu Mamá También : under the purple 🟣 blossoms of Tomás “el Corbillón” secret garden , any 🦉 hoot, Marjolena Kalten-porten Bachbulbs, what Eye wants to know if that Californian on your cabin has casted his vote for the Governor’s Race in Cucamonga? Well has he?
Now on to other things in Tommy’s plantation grounds at Sunset, where youse not going to believe who’s coming for dinner? That’s right mister Amore’s Perros, doña Sortilegios who just happened to be waiting for someone to open that little FABER book of, —selon Sean Penn, “wetbacks” in Hollywood, and find out that Clint Eastwood ain’t even from San Francisco and he did (that dirty bastard) snatch that heart that the other birthday-boy³ left near Carmel by the coast.
³~. Tony Bennett.

























