L’Ecriture du Scenario et La Salle de Lecture

AVIS Aux Non-lectures
de
ce blog

Yesterday’s ramblings were the victim of Gremlins, Rolling Blackouts and the Commuting Rush Hour Rat–Race of Corporate Ladder-Climbers on the “A” Train of the Île–de–France, RER*. FYI: the staff was en-route to turn a very dear, important, and regretfully painful page in Nanterre; 92010 CEDEX.
* Red [ferroviaria] Exprés Regional

}-~~—~\• >

Sabbatical Day X
11 de enero, 2018
Bibliothèque du Cinéma
François Truffaut

La mujer en bici . — . From the collection The Street is My Gallery; the staff is on the look out for the chalk artist that created this Cubism looking treat. When they find it, they’ll let the non-readers of this non-consequential blog know who s/he is. •—!—• Photo: segoviaspixes 2018; Allée Célestin Hennion, 75004 (CEDEX) Cité.

Behind The Scenes

[Voz de mujer
Sarah Silverman]

— We now return to our regular programing.

Analyses de Films
. — .
ISIS & Cie.

Figurer l’inconscient… Freud,  poissons , passions, secrèts . — . Un film • entre el Babel de la ficción de González Iñatirru AND Anger’s Hollywood Babylon • est un film . — . }–~~—\•> ¿En dónde está la biblioteca? Good news for the half empty rack of Mexican cinema literature at the François Truffaut Library inside at The Forum, in Les Halles, –3, Rue du Cinéma, 75001. The good folks at Marie de Paris authorized the addition of a new tome. In the frame above, can you guess which one it is?

[Man’s voice
Jeff Goldblum]

Don’t go away, because when the Lovely Sarah and yours truly return, we are going to reveal the staff’s other favorite movie that starts right of the bat with a masturbation scene. Here’s a Hint: HIMYM closed a season with the closing song in that flick, and no darling, it’s not the melody of “How You Used To Be”.

Stick around… context on “Monster–Nieto’s” replacement follows. Monster–Nieto is a Brozo the Shady Clown Registered TM.

Wednesday the 10th — Intermission, part ii

Sabbatical Day Nº 9
Wednesday the 10th.
Octubre* tenía que ser…
y en
enero** redactar.

[Woman’s voice
Sarah Silverman]

Previously, on: The Color of Cross–Media Tangents.

[Man’s voice,
Jeff Goldblum]

So, remember that thing that I’ve already commented to you about? Regarding that little, “project that I have to be secretive about but [that] there is some thematic tie-in to this?”

Well, I must continue to remain secretive about it, but what I can tell you right at this very moment measured by the TimeStamp below this frame, is that beyond the camera work and directorial calls used by Mr. del Toro on The Shape of Water*** , the movie continues to provide Tangents and so, Context will continue to follow; just wait for it.

TimeStamp: 07h53 CET

Tuesday the 9th — Intermission…

Sabbatical Day Nº 8th

Ladies and gentlemen, The Color of Cross–Media Tangents is:

TEAL… The Color of CROSS–MEDIA Tangents is AZUL VERDE, and it’s primary tone es el color de la Esmeralda. }–~–~~\•>  Calendar date is courtesy of FOX Searchlight Pictures, y don Guillermo del Toro.

[Man’s voice
Jeff Goldblum]

I tell you what, the staff hasn’t even consider reviewing my latest project with the Marvel Comics Thor franchise, but for this movie about the water’s shape… or something like that, the staff put on the filter glasses and sat down to review “for research purposes,” don Guillermo del Toro latest Opus; and to be fair, we haven’t seen the staff so captivated with a thematic train —from Engine to the Caboose— since they first experienced The Fabulous Destiny of Amélie Poulin; as a matter of fact, the staff thought that Mr. del Toro’s latest flick was a tribute to Amélie, and while it’s true that many parallels can be drawn from elements like, the Color and Lighting effects for the background, the Musical soundtrack, the Destiny of the Heroine, and many other props in the movie that call for a repeat viewing, one can only say that The Shape of Water can hold for itself as an original script and a fantastic story.

[Woman’s voice: Sarah Silverman] — The Money Shot… every movie, at least the memorable ones have one of these, the shot that pulls ‘ya right the fuck-in, and for the members of the staff this take was it, the Triumphant Return of “The Story of Ruth” and “Mardi Gras”. }-~–~~\•> Uso justo del 7º Arte; ibid.

The staff remains out of the scene, but let’s just say that they have given me full authority to give The Shape of Water five stars out of Five, and call the Music score for this film as the favorite for that other Celebrated Awards show.

Jeff Goldblum es: La Mosca… Wait for it, wait… on the next intermission I am going to show you the process of The Metamorphosis and how to go from Yellowish Chrome to Verde Azulado, or as the French like to catalogue it: Chrome Jauni }-~–~~\•> In the mean time, enjoy an Ink Sausage.

[Female voice
Sarah Silverman]

Stay tuned for more, because the staff is going to watch this movie again and figure out how why this work of fiction left them so fucking mesmerized.

TimeStamp: 23:45 CET