Yesterday’s ramblings were the victim of Gremlins, Rolling Blackouts and the Commuting Rush Hour Rat–Race of Corporate Ladder-Climbers on the “A” Train of the Île–de–France, RER*. FYI: the staff was en-route to turn a very dear, important, and regretfully painful page in Nanterre; 92010 CEDEX.
* Red [ferroviaria] Exprés Regional
Sabbatical Day X
11 de enero, 2018
Bibliothèque du Cinéma
La mujer en bici . — . From the collection The Street is My Gallery; the staff is on the look out for the chalk artist that created this Cubism looking treat. When they find it, they’ll let the non-readers of this non-consequential blog know who s/he is. •—!—• Photo: segoviaspixes 2018; Allée Célestin Hennion, 75004 (CEDEX) Cité.
—Behind The Scenes—
[Voz de mujer
— We now return to our regular programing.
Analyses de Films
. — .
ISIS & Cie.
Figurer l’inconscient… Freud, poissons , passions, secrèts . — . Un film • entre el Babel de la ficción de González Iñatirru AND Anger’s Hollywood Babylon • est un film . — . }–~~—\•>¿En dónde está la biblioteca? Good news for the half empty rack of Mexican cinema literature at the François Truffaut Library inside at The Forum, in Les Halles, –3, Rue du Cinéma, 75001. The good folks at Marie de Paris authorized the addition of a new tome. In the frame above, can you guess which one it is?
Don’t go away, because when the Lovely Sarah and yours truly return, we are going to reveal the staff’s other favorite movie that starts right of the bat with a masturbation scene. Here’s a Hint: HIMYM closed a season with the closing song in that flick, and no darling, it’s not the melody of “How You Used To Be”.
Stick around… context on “Monster–Nieto’s” replacement follows. Monster–Nieto is a Brozo the Shady Clown Registered TM.