Who wore it best* — Paris Fashion Week

*~. Katty Kay did, but Mika made that pole 💈 look sexy as hell. It’s strip tease at The Karaoke Bar next to Mika Brzezinski’s Penthouse on Third Rock.

Dyerville para Chile and chile for your CORN…
𝄆 Mariposas amarillas, Mauricio Babilonia snippet 𝄟 comes courtesy of Indian poet, Varghese Kuncheria³.

 

³~. https ://www .poetrysoup .com /poem/im_a_timid_butterfly _1286613 in:
Butterfly Child Abuse Poems

And, Cousin Joe, I’ve been to the desert on a horse with no name called 🏞️ ATLAS RANGE 🏜️

 

For A Few Dollars More… Penthouse Stories now with music by Maricones 🤠

Claudia Sheinbaum sings all the whacked themes of Houston’s crack House… that’s her prerogative.

 

🕯️… must be the lighting.

Most beautiful lighting, —in°deed. And it’s all because of them 9th month abortions in East Rutherford, New Jersey… JET!

 

Any how, with September 11 out of the frame let U.S. re-focus on the one thing that Eye has no control of, and that off-Course, is Stanley Kubrick and the musical Morricone-es-es who closed their jeepers Wide Open during the orgy scene at Victor Hugo’s miserable abode on the north eastern corner of Place des Vosges, and if your name is Professor Johanne Grazia Poisson, well then you might remember what an unhinged Ferrari door-job looks like, of

{or}

what a classic Jaguar suspension lift feels, —when you are down and out on the periphery of La Bastille.

Répétition to the left followed by Sandwich 🥪 a la tetona.

2017/01/30/ojos-abiertamente-cerrados-revisited/

It’s Mo’ornin in America, with Eddie Gloude Princeton

 

Y como dice Curtis Mayfield, mi querida SoFy Velasco:

Alain Bauer of the criminal trades and métier-es-es is with MALHERBES in reel-time.

Give Me Your Love, but FO’ist, Eye must first disclose that your are not the first floosy from The Voix Sans Voix booth to come along my güey, Juanito Guanavacoa, that’s right SoFy Velasco, before your sexy ass came through here with your micro-orgasms and other assorted cuentos, the GO’ill from Issy-les-Moulineaux, the one and only, Michelle Saldaña, used to project herself on Mí; although to be perfectly accurate, Michelle (my 🔔) came courtesy of Osler Amaro and the rest of 🇵🇪 los peruchos de Botzaris 🇨🇵, not from 🇲🇽 Juantio Guanavacoa🇨🇦 Productions.

Ojos abiertamente cerrados (Revisited)

This is to say, SoFy Velasco, that your cold-ass rendition of the cuentos que ya no REMember of last Sunday’s show, leave no other option than to continue with my proxi-conversation with los andaluzes del “Jam” de Juanito Guanabacoa, because according to Salvador, el andaluz que giraba de hartista en Portugal, píntando cuadros que según él, en sus propias palabras, “eran cuadros originales, sin repeticion », porque de acuerdo a Chava*, ahora en paráfrasis de mi parte:

[E]s-que no vale la pena mirar hacía atras, mejor siempre mirar hacia adelante, y por eso nunca píntaba cuadros que de alguna manera yo (o sea Salvador) ya había producido, —before.

*~. hipocorístico de Salvador, no las 👯 chavas 💃🏻 de hoy porque esas dos son Michelle y SoFy.

And, SoFy | Michele, it’s important to bring this up in a Synopsis del resumén de El Show de Juanito Guanavacoa, on account that immediatly after that statement the segment that followed was a so-called Blues jam, which of course, as TOTALITARIAN REGIMES in 🇨🇱 CHILE and in 🇵🇪 PERU know, that a 🌍 Blues jam 🌎 (my friends) has no elements of re-pe-ti-tion whatsoever at all, y para COLMO en Colmars, Juanito had the audacity of dissin’ the STAND-UP 🎤 form, calling that form style of delivery as, “solitary” and not pretty like an Orgy or a so-called “jam » en rfpp . net : get it while you can!

It’s the 50th Anniversary of the real SUPERFLY, with that in mind, please relay to your audio files that Öüï now return to la  Synopsis de “aquí somos aquí estamos » del pasado domingo 22 del Año del Conejo de la suerte, espero, querida SoFy Velasco, que ya hayas recibido la pata que les metí en tiempo real a ‘el jam’ de Juanito y su pinche harmonica.

With that in mind, and in la lengua de “Shakes Pirito », Öüï caught up with La Kerschovas, who as luck would have it, Denisa joined the Carnival, that’s right SoFy Velasco, La Kerschohvas is now strolling her way up and down the Ravioli parallel between the Louvre and and motherfucking Concorde, sporting a motherfucking beard. The Paris Tourism Board even hooked her up with a open locker at particular Club Where Évrybody Knows Your Name.

 

After the break at Los Pirineos it’s another edition of The Soundtrack to “A Moor Es Perros » on the Mediterráneo freqs, with a road trip through the  Royalist Side of The Hexagone in France.

Musical guest, “El Buki Mayor” and that daft punk without a helmet on the French Touch scene.

 

 

Samalayuca, septiembre 2014 — Rancho Los Dos Cachorros

En fin, algo que “los cachorros” del ‘multi campus institucionalizado’ del IHEAL y SciencesPo, en Saint Germain-des-Pres, 75006, casi esquina con el studio de Scarlett Johansson y el Hospicio Latinoamericano de M. Alain Rouquié, ancien ambassadeur de France au Salvador, au Mexique et au Brésil y, director de la llamada “MAL217” por los interWebs, no pudieron entender, o mas bien —no quisieron evaluar:

Well you’ve heard about Mastroianni’s “Matrimonio all’italianna” .:. 93979022-B7CA-478C-B07E-FDD011F62C61 It’s not one of Those. Esto es: una creación de Producciones Televisa y La vida en Rosa por Chelles y también por Lilas —_•!•_— LA QUARANTAINE A LA CHICHI L’IENNE —_•!-_— It’s from the Creator that brought FIRE to Gomorra from Canal (plus)… because God hates Wop’s. —•—
Synopsis: after what they did to ROME, Mars could care less of what became of the 7 hills inside of a stiletto boot, let alone to La Colonia named after the main forum inside of that boot, which was laid to rest in the horn of plenty, just below Columbia’s promised land

_+_+_+_+_+_+

Still to come: you can ring my alarm pero no me  apachurres el snooze button, nena.  But FOist, it’s another edition of 2666 —La parte de adelante de los críticos.

Manuel Espinoza, the quiet one according to page 19 of ediciones ANAGRAMA learned two valuable revelations from the time that he began to realize que los jungaros madrileños, (apparently a literary group with a vibe that the good people from Selma, Alabama, would surely recognize as one of them FIA rules race car driving clubs) were just as circular as them Top Fuel funny cars and their figure Eight shape track rucas; dicho de otra puta manera:

Manuel Espinoza suffered from a permanent condition that ailed his REM sessions much in the style that ail (ajo en francés) cocked-blocked a vampire colmillos aiming for a pulsating jugular, dreamers call that ailment “insomnia”, siestas can mitigate the curse, but really, nothing compares to a full-night shut-eye. Anyway, it was during one of them after midnight sessions that Manuel Espinoza began to ask himself, —in a very Formula One— serious manner “if those people,” (p. 20) los jungerianos, no los fans de Ophra Winfrey in Modesto, California, where as everybody en la UNAM knows is also where Jonh Mill Ackerman was born) were not really asking Espinoza in between shades to leave; to stop bothering and to never return.

It was during one of  this  these nights, that Manuel Espinoza learned that Armando Álvarez was right all along…

+_+_+_+_+_+_

The weekend Update

The Weekend Update .:. CAB6A8A8-E3C6-45F1-BC13-8D58BD5EA98E 🛴 Live footage of Lorde Lorne Michaels beating the fuck out of The Weekend musical guest at SNL 45 is not available, however; vintage footage of an Executive Training Film of the Walt Disney Enterprise shows voice actor Alain Rouquié (“The Boss”) solving a little problem at Fréquence Paris Pluriel (106.3 FM) when the hispanoparlante section of the Sunday Morning programming wanted “To Give Voice” to a voiceless Bolivian student that was disciplined at Le IHEAL for wanting to Establish an Association de Loi 1901 in the interest of Latin American student issues in Paris and the rest of Europe.  https ://youtube .com /watch?v=4RGXBRx_Fyk

Para la memoria Los cachorros de M. Alain Rouquié se recibieron de SciencesPo y el IHEAL con la noción de que, “el PRI, sí sabe gobernar”, y por eso John Mill Ackerman (UNAM) les vino a dar atole con EL DEDO, y el consejero del actual gobernador del estado de “chihuahuita” entretuVO con su cátedra (en Castellano del bueno, y no chingaderas) a los retoños de los cancilleres de Francia (asignados) por todo Latinoamérica. https ://nortedigital .mx /teto-marcelo-chela-lilia-serrano-garfio/

Admit it Micha*, los y las traigo cómo diría Mauricio Garcés: Muert@s… bola de putos.

… [Y] siendo que con la Excepción de doña Mueller de Obrador y su carnala, Mrs. Sandoval de Ackerman, y tal vez doña CoNaDe Guevara, las chiquillas mexicanas dicen que hoy no van a hacer nada, los chiquillos por su parte le van a hacer al “Men–at–Work” and play business as usual con las cosas que también, valga la redundancia, —los dejaron (sin su consentimiento) de mover.

Ojos abiertamente cerrados (Revisited)

“…y que no sepa tu mano Izquierda lo que hace la Derecha,”
en el Freak Show de Enrique
“…con cerrar luego bien la Frontera, puedes hacer
Lo Que Quieras“.
Bunbury (2005).

Buenas tardes, hoy es lunes 30 de enero, 2017.
En los alrededores del Palacio de Versailles (78000), Michelle Saldaña* nos reporta que Bill quiere decir [entre otras cosas, en Castellano] “billete advenedizo“… pero no se fijen en eso, puesto que hablando de lo que se esconde entre las primeras impresiones, pues, les comentamos que en el marco de abajo se incluye una captura con tiempo diferido del pasado 20 de enero durante la oración de los dos minutos en el bloque de las 9 de la mañana [EST].

* Comunicadora de el equipo en la emisión Americas.

Audio de la 1ra parte de la reseña de Tom Cruz
cortesía de:  RFPP 106.3 FM

in-france-bill-maher-is-bigger-than-jerry-lewis

Fair use of all Bill denominations and current exchange rates. — Uso justo de todos los medios. Captura cortesía de Olivia Newton John y Tom Cruz.

Entonces, haciendo uso de todas las Ciudad de las Bajas Pasiones, regresamos a la selección de la semana y los borradores en otros sitios.

[Context follows]... Uso justo de una ficha por los interwebs.

[Context follows]… Uso justo de una ficha por los interwebs. —|— Al regresar, nuestra nueva sección: CiNiSMO: la sección del CiNe.

Anyway Bill, may we call you Bill?, of course we can. According to Saldaña,  en la última película de Stanley Kubrick al personaje interpretado por Tom Cruz lo sacaron a balcón porque despedía en su humor el tufo de la pequeña burguesía, y no por el hecho de que [en la película] el señor (Tom Cruz) llegó “al bacanal” en carro de sitio. En fin, sea como fuese aquí abajo la segunda parte de los “Ojos Completamente Cerrados” de Tom Cruz, y un pequeño resumen [incompleto] de lo que acontece en La República del Perú.