“Well Did EWE Evah? — Complémént de Affaire, CERFA n° 13473*01

Good Afternoon Marianne.
It’s 4:20 in CET… Shall we continue with this Dance
might as well —i mean— You know, to welcome Ringo Starr and “La Fiesta de La Musica” en toda LA FRANCE… Night and Day, BabyDay and Night.

Dear Marianne: With all due respect, i have already explained several times — sur papier libre — what your people at the 6émé bureau call a “projet de création de plan d’affaire,” and although, Baby, some of the key players* les “héroes de feuilleton” have changed teams in this most non-consequential saga; “The Song,” Marianne — “Remains the Same.” Cordialmente, armando segovia.

Si la foto es buena…

Context on line five follows… it’s the 11th Hour and we send a Shout Out to TRMS and — La larme vue dans le monde entier!

I know, Marianne, — i know what’s going to go through the minds of the reviewers of my most inconsequential CERFA formulaire at le 6éme bureau when they see one of Barbara’s line on a Parisian trash can with a perfectly good and, might we add; sealed « matin léger » six pack… now,  if we [the staff] knew anything about subtilité, we’d tell you that it’s because a « matin léger »  is « facile à digérer »…

What do You say we take a pause from the dance and instead play « hardball », eh?

Issy, BARBARA, whereever You might be, “Si la foto es buena”, sure the theme of the lyrics changed, but the abominable Cruel and Unusual form of punishment patterns are ALL THERE, down to the « President’s Wife », eh? — ScreenGrab is courtesy of The Chris Matthes Show and his access to the archives of the National Broadcasting Company… ISSY, Marianne, the good thing about this most non—consequential blog is that the French don’t have a National Broadcasting COMPANY, eh!

TimeStamp: 01h00 in CET

… and no Marianne, we [the staff] have not, we repeat—to quote Chris Matthews— have not done a single “backflip” since we’ve landed on the CDG, no Ma’am. Instead, Marianne, what we’ve had to do since day 8th, when the Year of Mexico in France was put in the garbage can is a bunch of motherfucking forward somersaults.

And, as a matter of fact, one of these piruetas pa’lante was a response to Brontis à la préfecture rejection for the renewal of the second part of the permit that we [the staff] identified as a “blank card” to basically swim like fish in water when it came down to gathering the elements of a story about corruption and privilege.

We call these maromas, tangentes interesantes, or Cross Media Tangents.

The Little Red Girl… ISSY, Marianne, soon after Brontis à la préecture confiscated our « titre de sejour » and with it our both of our feet—along with our shoe leather reporting credentials— Donald Trump came into the Mexican scene, and to quote the « Ministry », “THERE WAS ONLY ONE THING THAT I COULD DO” and that was, to “ding–a–ding–long” my SEIS GRADOS de Kevin Bacon, i had to develop a way to keep my honing my craft while keeping the ingredients within the tropes and topics of the “melting pot” that gave Country, and my early “horn of plenty” childhood formation that infused my soul; REMEMBER MARIANNE, Que Yo Soy Un Producto de la S.E.P.—eh!

… in Central Europe Time it’s six hours to summer solstice, right now Robert Zimmerman is strumming the Tombstone Blues, or some “great commander–in–Chief” saying “death to all who shed a tear,” or something like that—hell, Raquelito, Dylan even ended the song with how “Ewe gotta put a Wall—over here,” can you believe how the times seem to not be changing!

TimeStamp 06h29 in CET.

TimeStamp: Flipsville… in Siren Central Time

The Longest Day Follows.

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