Continued from pg. 33
[Must be read in a Gov. Arnold Schwarzenegger voice]
Feeling more Mexican than a lot of corrupt politicians or bureaucrats, Alejandro Cuarón leaves his country, his house, his company and other assorted commodities to accept a self-imposed challenge en el extranjero.
Page 142, Woods, ibid.
The practical and theoretical implications of a pitch as interpreted by the dialogue between international jurisdictions. This pitch (musical key) examines the challenge posed by a secular cleric on one cold February morning in 1954, and it is juxtaposed with the spiral pitch*🧬of our present world. The story takes off after the last chiseled call on a plaque outside of the house that “El Patrón¹” built:
Contre le misère et ses causes
BREAKING THE NEWS TO Melle. Faget
In the communication business, the targets are represented by two separate yet equally important groups: the press who investigate issues, situations, procedures, negligence, collusions and crimes, and the advertising firms who sanitize the offenders … and to quote Law & Order SVU: these are their stories.
In Hilo, Hawaii, hoy no hubo volcanes… jump to page 27, where Angelina Jolie is playing the síncopa (anticipated link) to Silviana Cocan’s French Classic: la qualification de la agression et la RespOnsaBiliTy des Etats (en conflictos armados), knot in the States that weaponize said conflicts.
1. El Patrón = L’Abbé Pierre.