Eye don’t see Kurt Anderson like a cartoon, Eye sees that motherfucker like an ALEBRIJE en el Concejo de Seguridad Nacional de la ONU.
Note to Elise Jordan, nevermind Kurt Anderson and his feature presentation promo for “Dueling Banjos”, his trip through West Virginia is like Miguel Bose visiting “PUEBLO BLANCO”. And Kurt, if you need a reference on SERRAT ask Robert Costa at the Washington Post, he is the one that likes to quote lines out of a bottle, or something like that.
https ://gen .medium .com /doing-our-bit-to-avoid-a-civil-war– 2b971261b781
https ://lasillarota .com /nacion /juan-ramon-de-la-fuente-recibe-a-alebrije-en-la-plaza-de-la-onu-en-nueva-york /578741
Previoulsy on, “Sam Stein y tu mamá también », el ‘Buki Mayor³‘ was telling you about how in 1983, when Ronald Reagan was using latin America like a fucking CRACK laboratory:
http ://www .clg-pompidou-orgerus .ac-versailles .fr /spip .php?article 1845
³ Usted no lo va a creer
Pero hay escuelas de perros
Que les dan educación
Elise Jordan on The Morning Joe payroll can’t be for certain if THE DOGS give out the education to Le Grand Palais élus/élues/éluiels or viceversa.
And Elise, this is why EYE told you pay attention at the CASINO on “The Ozark Shores“, but worry knot, you second-hand store advertising guru… I, armando segovia / armando serrano prieto has the perfect KETCH-up in print form from an ANDY WARHOL joint (a fucking gallery),
Published on the occasion of the research project and group EXHIBITION:
Watched! Surveillance, Art and Photography
May 2016 — May 2017
218 Disguised Faces, Illuminated Suspects, and the Great Spectacle of Surveillance
226 Photography and the Administration of Data
238 BIOMETRIC EMOTIONS: Affect for the PURPOSES of SECURITY
244 The Machinic Sendorium
250 Living Up To The Surveillance Algorithm
258 The Changing Gaze:
FROM DOCUMENTARY PHOTOGRAPHY TO VOYEURISM TO SURVEILLANCE*.
266 A Day on EUROPE’S PERIPHERY
276 Exposure Without Intelligibility:
On Some of The Requirements of Addressing Surveillance as a Visual Practice
282 Viewing Ecologies
All Rights Reserved
© 2016 The artists
Bpi N°: 3 7504 10133999 0
* In real-time happening right now in Paris, Real PERFORMANCE ART of ITALIAN TELENOVELAS outside of the Pinault-Collection in front of Au Pied du Cochon starting at 03h in CET…
ASK SALMA HAYEK TO SHOW You the surveillance feed from earlier this morning, I SEE WHAT YOU DID THERE, IHESS dramatic art center.
Synopsis of Last Night’s Italian Telenovela
and Elise, as the DAVID ALLEN COE fan club secretary that you used to be, before securing a spot on the Morjo Show in Floribama, you know that Öüï don’t think that the rain over BIDONVILLE is, as Marco Antonio sings, and Eye Quotes: “so sad,” it’s rather, —just as OPUS sings:
https ://www .francebleu .fr /emissions /fresh-pop-saison-2 /opus-live-life
And Kier Simmons, visit our Twitter crutch to KETCHup with INTERPOL news, USTED NO LO VA A CREER, but The Mexican Institute of SOUND and ELECTIONS² at the School of RATS at the Versailles CAMPUS of Le Grand Palais is in charge of the SELECTION for the NEXT INTERNATIONAL COP, a position that is almost, ALMOST EYE TELLS EWE!!! As the position of PREFECT of THE PREFECTURE de PERFECTOS PREFECTOS de POLICIA en PARIS… but only in the sense of being the Most Informed Cop on the phase of Staten Island.
Note to readers, THE SCHOOL of RATS at LE GRAND PALAIS is a clear infringement on EL PULPO PAUL’S FIFA World Cup predictions at the PMU.
².~ https ://lasillarota .com /nacion /juan-ramon-de-la-fuente-recibe-a-alebrije-en-la-plaza-de-la-onu-en-nueva-york /578741
And Cousin Joe, those voters who wanted a smoother ride with the 46th President of Potus Land need to review the REAGAN years; those 16 years are the follow-up of WHY I HATE THE SIXTIES: MIAMI VICE.