It’s 1938 and time for the symbolic fall of LIPCHITZ’ Prometheus in Paris

“People WHO know— jump to page 3 (troop)

Pacific telephone
Papooz (2019)
ALBUM: Night sketches (2019)

Knot to be outdone by EDWARD BERNAYS… CALIFORNIA is not going a GODDAMNED Place Joni Mitchell (1971) and for the record, my skin is  brown by default, and I have never been to Spain, but they tell me that the LADIES THERE…

The dress clerk is dressed in Black
Well if your baby leaves you… where you be so lonely
you’ll pray you die

RHULE for size

Something like D.A.T. in the 32 AR REG (KOREA)
3rd AR DIV.
Check the DD-214
just ask AXL’s
left~Arm tattoo.

And Sirène, you can do anything but,
—motherfucker— Go,Go,Go! BUT
Don’t Ewe Step on Mí’s Blue Suede Shoes.

The heart of Rock and Roll is in the Elevators knot the Fuselage… People WHO KNOW, know that AEROSMITH headlined the FO’ist Two International Airshow EXPOs at Le Grand Palais de La Place Clemenceau.

https ://www .kipaero .com /aero-documentation /wwi-terminology/

Histoire globale (et inédite) de la publicité
Bpi N° 3 7504 00457440 4
Salma Hayek is reading page 442; Chap. 18
“à l’hôtel Martinez,” with some « euro-trash »… or Something like that

Ladies in Gemini, Öüï last left The Paris Tourism Board in front of Gordon Sullivan’s lute reference at Le Grand Palais (right in front where the Lipchitz’ « Prometheus and the Bird » middle-finger to the NAZI PARTY in France once stood.)

It’s 1938 and LE FRONT POPULAIRE just rendered their resignation papers to the “Good People” in charge of the France de Vichy’s biggest publicity stunt, A sort of, kind ah-looking fuzzy feeling for the Concentration Camps with the “JONES-es-esos” next door in Poland and München, the stunt would develop like AUTOBAHNs in the U.S.A., or Madison’s Avenue feel good propaganda that still reverberates today in the FORM of D.A.R.E. EYE say it, Mlle. PITCH?—Nahhhh, hold that thought for Mí’s “Amnesty International” placeholder… wait for, IT!, WAIT.

Witt, that in mind we now return to LE Palais de LAdécouVerte where Denis Soula is using his THEY OFF with “The rooster with a hat {D.A.T.} is watching TV”… and for the Record, The Bpi does not keep any GUNS and ROSES tracks inside the confines of its Big TYMPAN jukebox… Knot even the 88′ Classic: LIES. 

Tungate, M. “Le Monde De La PubHistoire globale (et inédite) de la publicité. DUNOD, PARIS 2009, pour la version française… Chapter ONE: Les Pionniers de la persuasion (sans percussion).

“Robocopyrighting” with the Big Kat and her BBC

“Can I get a witness!”… before “they” start charging for Breaking the News.

Breaking the EuroNews… this is a time-delayed entrance… context follows.

… next thing Ewe know, they’ll take my Meme’s away!

People will believe me more if Ewe call me doctor.

ISSY, corazón, en la cueva de Las Sirenas, la “Comadre Lety” y “un tal” de La Fuente on the programming controls at fip punto fr no nos pueden dejar mentir sobre las propiedades de la propaganda, concepto que Las Sirenas suguieren que descubras por conducto de “arte” tv este jueves.

The thing —cheeky bum’s— is that informed listeners like the ones that listen to the Siren’s wails should already know who the father of crowd manipulation and propaganda is, this suggested programming that the Den is pitchig out into the airwaves —and over the interwebs— would better serve the 96,4 BeFeMer’s crowd, the 100,3 NRJayers (es lo mismo que  exa fm  es para los mexicanos, the 101,5 NOVA the fake fip, the 102,3 OUÏ …don’t think so, (FM) unless of course Ewe take your clothes off, the 103,5 Virgin Radio… ni de las putas bocinas, if Ewe know what we [the staff] mean, and of course, Juanito Guanabacoa, amigo—no creas ni por un puto minuto que se nos pasó la frecuencia 99 FM Latina la casa de Talía y el reggaeton en París, ni mucho menos Francisco, nos olvidamos del 106.3 Fréquence Paris Pluriel pero eso sí Osler Amaro lo de FPP es única y exclusivamente los domingos de las 10 de la mañana al medio día.

Anygüey, sirenas, i [armando segovia, not the staff] am bringing this up because later this month the Europeean Legal Affairs Committee will vote on changes that Public Relation Firms and Propaganda Farms wish to have when it comes to issues dealing with restrictions designed by “los hijos de Edward Bernays” to change the ways of a free and open Internet; these fuckers wish to put a tap on the flow of information and how independent thinkers (not the pre-fabricated Hit after Hit consumers like the ones on the NRJ and Latina FM) use and SHARE THAT INFORMATION to Stick it to The Man!

… now about David Letterman:

… can Ewe imagine if this “Robocopyright” law comes into effect? Who? I ask EWE—Who is going to highlight in $GR€€N$ the fact that Vettel–Bottas–Vestappen took the Canadian Grand Prix, eh?

Wait for it, wait. Because there seems to be a Carnaval flowing through the airwaves.

TimeStamp: 18h45 à Sebastopol 75001/75004

… coming up:


Breaking the news, a fleet of B-52’s has been spotted over la Île–de–France, early reports suggest that they are dropping a payload of sugarcubes over Paris. Stay tuned for details.

The following must be read in a Brian Williams Voice.

We can’t tell for sure, it was another era, another set of issues and a whole wide range of censorship in the air, but given the opportunity we wonder—we really, really wonder if our own (NBC) David Letterman would have nixed the father of all Stand Up comedians, the great Lenny Bruce, anygüey, we know for a fact that Letterman cut Bill Hicks in half, and that later Ol’Dave apologized… so it went, eh. This, as Bjork once Screamed it: wasn’t supposed to happen but that is the way that censorship rolls.

Brian Williams:

Reconnaissance report suggests that an Army of dreamers commandeered by a renagade Bush, and the Dragonhead Squadron from the Pixies Division is in fact dropping “Politically Kkkkorrrekkkttt,” screaming riots.

… still to come on the BBC:
Indeed, Sir: your Queen is a Reptile, but we[the staff] don’t hold that against you.


TimeStamp on the “Slow Hand” is one one minute for ‘till the middle of the hour before the 11th Hour in Central Europe Time.

Uso justo de la BBC… all content in this frame, including Katy Kay in the form of a lock under chains is property of the BBC., and Getty Images.

Right now, however, time kept moving on and now it’s After Midnight… and what a perfect timing for this “copyright directive” to fly under the radar while Trump and a brutal dictator distract the world from this afront on free speech. Well played Illuminati  well played ∴ 

Let’s Play Hardball