Polo: ACT IV… Shifus Clay… Whistle While You Bridge

I Want To Believe… That Katie Bennet is a magnetic anomaly. 🌋🙊 For starters, KATIE, if that’s even your real name, that TEE at the end of your BENNE is a magnetic 🧲 🧭 anomaly between the ERRE (r) and the ESE (s).

Over at The Louvre, in Abu Dhabi, La Kerschovas is attending the Kamasutra seminar, Alejandro Trebek just called a Daily-Double.

https ://www .aljazeera .com /news /2023/3/7 /israeli-attack-wounds-palestinians-as-settlers-and-soldiers-dance

International Clam Chowder They… In Abu Dhabi, the aloha equivalent is not a Flower thingy hanging over your neck, arriving males get a hand-job and women get their Clam munched, but only if you are a REWARDS Card-carrying member.

 

In this sector, we find Little Nicole on detention, again and that’s Yer’ cue to pull out yer’ pencil and paper and show your work, not just the Wikipedia source.

[Advertorial]

And starring as Ashton Kushner: Arthur Aitch.

This section is brought to Ewe by the letter H. The letter H, a chopped-off ladder 🪜 cut at the knees, or an 8 that could not be? Tonight’s fip dot jazz is complemented by the glyph A.

Anyhow Amira AL-SHARIF, in this section of the play (middle of the 7th inning) Eye will be presenting you with a Double eet formula to show Ewe, “The Dark Side of The Moon”, es decir, señorita AL-SHARIF, it’s TROU 🕳️ as EYE had estimated, indeed, “IT!, takes tú.”

Can you make it rain harder, Prince… Cutline: As a child growing up between the Krauts and the Frogs, all that Cookie Monster ever wanted to become was the “guy with the whistle” but then Cookie Monster got hooked on the dough.

Entonces, Almira, because Eye knows that you are not going to look our way, please be advised that as our regular non-readers know, neither Öüï nor Mí get to select the tracks, nor the knews of the They, and as a matter of fact, i didn’t select the double eet neither, and because Scott Onstott already laid out all of Paris’ secrets in plain sight, i can’t take credit for running into your war snapshots next to an inverted T.

And in Local news, the so-called “anti-St. Paul’s 64” strike has breached the breeches of bullshit in the History of bullshit, heck, things are so bad in Lafrance across The Atlantic, that CHARLIE “motherfucking” Chaplin re-hashed and took on the role of Ronald McDonald (currently missing), and for the first time since the Vichy Régime of ACT IV in La République, beer shelfs at Évry 20 FranMonoGeoPrix are begining to run low, except for that fucking Pilsner that AUCHAN wants to drench down your fucking throats.

Actually there is no “dark side of the moon… it’s All dark.” Take the sun out of sight and it’s : lights out, Selene. OUT! i tells Ya’.

This can only amount to one of two variables, either the beer delivery 🚚 ran out of fuel, or the beer delivery 🚚 🚚🚚🚚 are blocking the 🦕 fuel 🦖 refineries that powers FUELS MY STRUGGLE at La Maub.

https ://www .theguardian .com /us-news /2023/feb/12 /officier impliqué dans l’arrestation de Tyre Nichols précédemment accusé d’agression contre un détenu

Over at Shakespeare and Co., In Abu Dhabi, her penis itches, and as soon as she gets a hold of, IT!, she’ll scratch his too.

 

Du même auteur: es la misma chingadera

“Mi amigo el tordillo”
de José Albarrán.

Dear PBS:  Let bygones be bygones, but keep in mind that what goes around—comes around.    Right now, the “Wayback Machine” just kept a record of how the president of The United States of America,  Donald J. Trump,  is currently considering taking all of your government funds away.   Let’s hope that in 100 years none of Mr. Trump’s great grand children get the idea of having a broadcasting corporation, like say, The Televisa Foundation, promote a warm [alternative] and fuzzy [history] of an “award winning” documentary about a family guy named Donald J. Trump,  at least not one in the same style that Natalia Almada submitted to the Sundance Film Fest. —|— Fair Use of history, family albums, and of course the Public Broadcasting Service —|_ http ://www .SanDiegoUnionTribune .com /opinion /the-conversation /sd-funding-for-public-broadcasting-could-disappear-20170316-htmlstory .html … —||— Dear San Diego Union-Tribune:  due to the close historical circumstances between the Elias-Calles family and your lovely city, we here [the staff] chose the link to your publication as reference in order to shoot at two birds with the same font, the first one is in the form of a warning shot and it relays the ever present danger of having my favorite Big Bird defunded; while the other, that one is volleyed for the memory of the “bird” that used to lay Mexico’s most famous “Golden Eggs” [its Oil Industry]… By the güey: Today is Lázaro Cárdenas del Rio remembrance day, famous for not fucking-up while in office, and for sending Ms. Almada’s great grandfather to the pleasant beaches of La Jolla and the roads near Escondido [in exile].

Cuando nos vimos perdidos [perdidos]
por Obregón en Celaya [Ce l’aya]
nomas pegó un relinchido
y nos fuimos: Para Chihuahua

me prometió ser amigo
cerca de Torreón, Coahuila¹.

 

Tant qu’il y aura des hommes — “o como dicen los franceses**“, From Here to Eternity…  Chérie

** Signature Phrase,del incomparable
locutor y aficionado de la nostalgia:
Jorge Saldaña, en Radio La Nueva República
Feliz Cumpleaños MonaLisa, saludos a toda la cabina virtual.

Lo malo de ir en contra de la corriente son esos años en la soledad.

[Context and Dedication Follows… probably in a not-so-worthy for an award little clip, pieced together —o como dicen los deportados: armado__ por el staff].


Musical meter: Duple with a twist of Broadway
Type: Mexican corrido rasgueado al sabor de José Feliciano.

1. Biblioteca Nacional de España. “Mi amigo el tordillo”, en: Registro sonoro musical ; Editorial: CBS (1979), Madrid; 45 rpm en “estéreo”. Letra por José Albarrán; interpretación de Vicente Fernández… material de acompañamiento: la letra de la canción “¿De qué tamaño me quieres?”, del LP original en México, D.F.: “Se Vende Un Caballo*“. Vía: http ://datos .bne .es /edicion /biso0000575662 .html

* Fragmento en: FolkloreDelNorte .com .ar
Pelajes Criollos” de Emilio Solanet [2003].