El Pueblo Unido en París, Francia… no vale más que pura voz de pito

¿Qué culpa tiene la estaca, si el pueblo vota por Ratas puras de la izquierda de foie gras y caviar en Trocadéro? El pueblo vota y se esta[n]ca?

https ://www .radiofrance .fr /club-jazzafip/piu-avanti-avec-giovanni-mirabassidisque’ la révolution permanente, o algo así (por sus siglas en francés)

I did mentioned to pardon my French…

 

and now, back to the Epstein thing in Guantanamo Bay, Cuba.

Release the nipple NOW! Mister President.

 

Breaking on Deadline Wallace : French astronaut snaps picture of Trump’s nipple-gate from Space.

Nipple-gate, meanwhile in Paris, BFM’er TV refuses to call EL ESTADIO AZTECA by it’s contractual FIFA* assigned name.

 

*~. FIFA, por sus siglas en francés.

Microeledone galapagensis — Tiny Blue Cthulhu

Deer, Jimmy Kimmel, i see Gordo Sullivan skinny-dipping in New York’s Central Fountain near The Dakota and Eye raise you “The Homeless’ Suicides” at The Guardian in London Town.

Those who don’t, migrate to France—it’s Trou 🕳️

https ://www .radiofrance .fr /franceinter /les-morts-de-la-rue /dans-l-oeil-de-du-mardi-02-juin-2026

New York State of Mind.

 

But first, it’s rather nice to learn that “at least Nic Cage is having fun in the gimmicky Spider-Noir” (despicable lowbrow) and, that according to the « approval Matrix » of The New York Magazine the monthly themes of May on or in this most non-consequential blog plot between highbrow (JR at Pont Neuf¹), lowbrow (Osteria 🦪 Morini²) , and brilliant (ridiculously cute new octopus 🐙 species found³).

Cinémas d’amerique latine 2026, #34 ; p.100 : avec l’arrivée du cinéma au Mexique en 1896, celui-ci est devenu un moyen d’expression clé pour le discours NACIONALISTA POSTrevolucionario et a refléte les politiques INDIGENISTAS mises en place dans [mexicolandia] depuis 1920, qui visaient à CASTELLANIZAR e INTEGRAR les indigènes dans la nouvelle identité métisse du CHILANGOLANDIA. These policies were led by the INSTITUTO NACIONAL INDIGENISTAS (INI) beginning at the end of the 1940’s and they (INE) categorized cultural aspects of the PUEBLOS ORIGINARIOS as “positives” or « negatives ». Cette classification a commencé à forger l’image officielle de l’indigène, óu sa nature folklorique, ses vêtements, ses danses et son artisanat constituant l’image a conserver, while éléments that could be considered different TO THE OBJECTIVES of THE NEW MIXED RACE State-nation sought to be eliminated (Etnodesarrollo : reivindicación del “indio mexicano“ entre el discurso del Estado y el discurso desarrollista*). LA CLASIFICACIÓN c’est avéré être un MECANISMO idéal pour reproduire la représentation occidentale de “l’indien”. This is to say, a REPRESENTATION inherited from COLONIALISM. The result of the CONSEQUENCE … was that all films from the time that the revolution ended all the way to the dawn of the 1970’s stereotyped the native AMERICANS (from the old NEW SPAIN) en diffusant l’idée DE QUE SOLAMENTE los franceses pueden permitirle a un pinche INDIO como el difunto JORGE SALDAÑA, —ser francés.

Donc, “como dicen los franceses”, any dissertation that John Oliver can do or, for that matter, any wierd “wonkish alt-comedy” that Seth Meyers can deliver from behind his desk (underwear optional) Eye can dew—but one thing that we (the staff) cannot do is eat quesadillas sin queso at Mexico’s Tortas Neza at Juan Bar on Roosevelt Ave… even MEAT LOAF would not do that.

“Are Ewe Knot Entertained?” —The Spaniard from Australia.

And, Willie Geist, are you bored 🥱 yet, with Israel?